There's an Aesop's Fable about a King of the Bullfrogs trying to impress it's fellows by blowing itself up, bigger and bigger, to impress its subject amphibians after they described at length how big an ox was that had accidentally stepped on their nest. The King keeps inhaling more and more to try and seem larger than the descriptions it is hearing... until it bursts from its efforts to seem bigger.
That Fable seems apt to me on days like today when watching many of the "experts" who have posted videos of themselves on sites like Youtube™. It's hard to avoid the feeling that many of them haven't bothered watching a lot of the clips of better experts to see what real taijiquan expertise [insert the Family style of your choice] looks like. Is it because they can't tell the difference between mediocrity and excellence or is because they refuse to see the difference between what they are advocating in their own clips and what is available around them? It also often seems to me that those with dozens or hundreds of clips on their channels are trying a little too hard to metaphorically blow themselves up in the viewers eyes.
I think of myself as a Yang style "generalist" in recent years rather than someone who follows a particular teacher. Thinking that way can have its dangers and its limitations but so can being a devoted follower of a particular lineage or teacher. For someone who values history and archaeology as much as I do, somewhat surprisingly, I'm not interested in turning my taijiquan forms and martial methods into museum pieces or slavish copies of someone else's material. That kind of stuff is essential in the formative years but can easily become its own trap as the years and decades roll by.
On the other hand, I don't see the value of creating a mish-mash of ingredients so that my Yang taiji looks like nothing I originally learned much less like bad xingyi or bad bagua. Nor have I been a fan in the past of modifying the solo forms taught by the men and occasionally women with whom I have studied. Perhaps this is because I have an old-fashioned approach to copyright issues and don't want to feel as if I am radically changing someone else's interpretations just to pass them off as my own.
All text and photos on this website is copyright protected by Michael A. Babin ©2018 [with the exception of the photo at the top of this page which was taken by Helen Kriemadis ©2010]